![]() ![]() ![]() They were, however, far from the only band to go up against Napster. As the first and most vocal Napster opponents, Metallica took much of the heat, with drummer Lars Ulrich getting especially miffed when “I Disappear,” a song they’d recorded for a soundtrack, leaked to Napster before its release the group subsequently filed the lawsuit that ultimately shut the free version of Napster down. In other words, it was the very thing that the music industry feared the most: home taping on a grand scale.Īrtists were quick to denounce it. As introduced by 19-year-old inventor Shawn Fanning, its logic was fiendishly simple: the app allowed its users to raid each other’s digital music libraries, browsing collections and picking and choosing what they wanted to copy from them. Most of us remember Napster as something akin to Playboy magazine: an illicit thing that your friends told you about. But, of course, digital music entered the black market first, through a downloadable file-sharing app that hit the web in June 1999: that notorious entity known as Napster. Apple launched iTunes and its portable device, the iPod, in 2001, marking the moment when digital music truly entered the marketplace. ![]() Though the MP3 was in the works as early as 1995, the two most game-changing events in digital music took place at the turn of the millennium. Even in the 90s, the idea of fitting every album you owned on a pocket-sized portable device was straight out of The Jetsons. The advent of digital music did more than reinvent the music industry, it forced music fans and collectors to forget everything they knew about music ownership – where their collection lives, what form it takes and how to access it. By now it’s hard to remember a time when you only owned an album if you could hold the physical copy. ![]()
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